Art style: Cinematic Realistic. A profile shot of Volkov, his face illuminated by a flickering digital tablet he is holding just below the frame. The screen casts a cold, flickering white light onto his features, highlighting the deep wrinkles and the intensity of his gaze. He looks up from the tablet toward Elena, his eyes narrowing. The interrogation room is dark behind him, with the only other light source being the dim amber glow from the swaying overhead lamp. The smoke from his electronic cigarette is caught in the cross-light of the tablet and the lamp, creating a complex web of illuminated vapor. The textures of his skin and the stubble on his chin are sharp and realistic. The overall mood is one of growing suspicion and technological dread. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic" idiom, not in any other medium. Character appearance reference (MUST match exactly): - Волков: A man in his late fifties with a rugged, weathered face and a thick, salt-and-pepper beard. He has deep-set, cynical eyes under heavy brows, showing years of exhaustion. He wears a heavy, charcoal-grey wool overcoat with a popped collar over a faded police uniform. His hands are calloused, and he holds a glowing electronic cigarette that emits a thin trail of amber vapor. He is positioned in the shadows of a brutalist interrogation room, with harsh yellow light from a single overhead lamp creating deep, dramatic shadows across his features. His presence is heavy and intimidating, like a monolith of the old world.
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