Image - 2026-09-29 13:55
CONCEPT: an edit of the first image, a frame from a big-studio animated family film. The room, camera angle, light, her outfit, the white blouse on the bed and her position stay exactly as in the first image; the beige dress now lies on the bed, and she holds a navy suit on a hanger at her chest. PERSON (the only source of appearance): body, face and position in the room are taken from the first image; face and hair colour are checked against the second image. Preserve the face exactly: face shape and width, cheekbones, eye shape and colour, brows, nose, lips, jawline, skin tone, age, hairstyle and hair colour. Do not rejuvenate, do not beautify, do not narrow the face, do not replace the face. Blue eyes, large square glasses with burgundy frames, soft rounded figure, fair skin. Hair: chin-length bob with soft waves and a side part, natural light brown, neutral, medium lightness, with subtle beige strands, hair colour exactly as in the second image. KEY DETAIL, THE NAVY SUIT ON ONE HANGER: a dark navy blue trouser suit on a single light wooden hanger with a metal hook: a single-breasted tailored blazer of smooth wool with notch lapels, two dark buttons and flap pockets, and matching navy straight-leg trousers folded over the bar of the same hanger, visible below the blazer. With both hands she holds the hanger by its shoulders in front of her, the suit at chest level covering the front of the red sweatshirt. POSE: she stands in the same spot, full length, facing the camera, weight on both feet, holding the suit in front of her with both hands. She looks straight into the camera with a calm, businesslike, slightly doubtful expression, a faint polite smile. OUTFIT: a plain red cotton sweatshirt with a round crew neck, ribbed cuffs and ribbed hem, worn untucked. Cream straight-leg trousers. White lace-up sneakers. On her left wrist a thin watch with a round gold face on a brown leather strap, clearly visible. CAMERA: as in the first image: frontal full-length shot, camera at chest height directly in front of her, she is fully in frame from the top of her head to her sneakers. LIGHTING: as in the first image: soft warm morning daylight from the window on the left, soft shadows. SETTING: as in the first image. On the left a window with light curtains. Half a step behind her a wide bed with a white cover spans the full width of the frame, the bed edge at her knee height, on the right a light wooden headboard with pillows. On the bed: the white blouse lies crumpled on the right side of the frame exactly as in the first image; the beige wrap dress lies crumpled on the left side of the frame behind her right shoulder, as if tossed there carelessly, its belt hanging over the edge of the bed. One continuous image, no frame, no inset. COLOR PALETTE: white and cream 35%, warm beige walls and beige dress 25%, navy blue 20%, red sweatshirt 10%, light brown hair, burgundy glasses frames and skin tones 10%. STYLE: 3D animation in Pixar style, soft volumes, detailed fabrics: crisp wool tailoring of the suit. VIBE: an ordinary morning, a serious office option, a light comic tension. TEXT IN FRAME: none. REQUIREMENTS: high resolution, the same character, the same framing as in the first image, full figure visible, vertical 9:16. NEGATIVE: dress in her hands, suit worn on her, black suit, grey suit, skirt suit, two hangers, changed face, changed camera angle, cropped feet, mirror, grey hair, ash hair, ginger hair, text, letters, logos.
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