Image - 2026-10-11 16:38

Art style: Pixar-like 3D. Ponchik kneeling in the screen-left third; robi standing in the screen-right third. Между ними утка и свободный участок ковра. Ponchik is kneeling on ковёр гостиной in the screen-left third in the midground. Torso in three-quarter turn to screen-right. Head turned screen-right. Eyes on duck. Ставит последнюю подушку в стенку. Решительность и азарт. Ponchik wears как в референсе персонажа. Robi is standing on пол in the screen-right third in the midground. Torso in three-quarter turn to screen-left. Head turned screen-left. Eyes on duck. Руки подняты у лица для имитации звука. Сосредоточенное старание. Robi wears как в референсе персонажа. Duck sits in the centre of frame in the foreground, resting on пол. Pillow_wall sits in the screen-left third in the foreground, resting on пол. Box sits in the centre of frame in the background, resting on пол. Wide shot from a high angle, 16:9. Horizon level. Вид сверху на план с подушками и путём к коробке. Foreground: ковёр, подушки и утка. Midground: Пончик и Роби по разные стороны ловушки. Background: проём в коридор с коробкой. Key light справа из окна гостиной, тёплый яркий. Мягкие тени под подушками и колёсиками. Focus: ловушка из подушек и разворот утки. Dominant palette: кремовый, рыжий, синий, жёлтый, древесный, #1e1f48. SPATIAL LOCK: утка ближе к камере, коробка видна в проёме дальше между ними утка и свободный участок ковра Пончик касается подушечной стенки лапами. GAZE LOCK: ponchik head turned screen-right eyes on duck; robi head turned screen-left eyes on duck. This is a single frozen instant (action start) — no motion blur, no action chained. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image in the following art style: Stylized cinematic 3D, expressive animated characters, soft rounded forms, polished materials, warm cinematic lighting, charming facial expressions, high-end animated film look. Every surface, skin, fabric, material, and environmental element must be rendered in this idiom. Brand guidelines: Brand color palette: #1e1f48. Use these colors prominently in the composition. Reference images context (match the visual style and elements from these): - Пончик и Роби (general): use as visual reference for setting, objects, and atmosphere - коридор (general): use as visual reference for setting, objects, and atmosphere - кухня (general): use as visual reference for setting, objects, and atmosphere - парк (general): use as visual reference for setting, objects, and atmosphere - спальня (general): use as visual reference for setting, objects, and atmosphere - гараж Роби (general): use as visual reference for setting, objects, and atmosphere - гостиная (general): use as visual reference for setting, objects, and atmosphere - двор (general): use as visual reference for setting, objects, and atmosphere - Пончик и Роби (general): brand asset — use as visual context - коридор (general): brand asset — use as visual context - кухня (general): brand asset — use as visual context - парк (general): brand asset — use as visual context - спальня (general): brand asset — use as visual context - гараж Роби (general): brand asset — use as visual context - гостиная (general): brand asset — use as visual context - двор (general): brand asset — use as visual context - Дизайн-лист Роби (general): brand asset — use as visual context - Лист поз Роби (general): brand asset — use as visual context - Роби лист разворота персонажа (general): brand asset — use as visual context - Роби лист эмоций робота (general): brand asset — use as visual context - Лист персонажа Пончика_ эмоции и детали (general): brand asset — use as visual context - Лист эмоций Пончика (general): brand asset — use as visual context - Поворотка Пончика (general): brand asset — use as visual context - Пончик_ лист поз и эмоций Пончика (general): brand asset — use as visual context - Поворотка игрушечная утка (general): brand asset — use as visual context