Reference image 1 is the identity anchor. Preserve EXACTLY the same 38-year-old woman: oval face, broad cheekbones, slightly long straight nose, grey-green eyes, dark straight eyebrows, small mole near the left corner of her mouth, chestnut side-parted hair in a low bun without bangs, realistic skin and same age. Do not cast a new actress. Her daily clothes are the same dusty-blue short-sleeve collared blouse and burgundy below-knee skirt. Later reference images establish recurring family, clothes and rooms; match them too. At home in early evening. SAME woman, beige coat removed, SAME dusty-blue blouse and burgundy skirt now with a simple off-white cotton apron tied at her waist. Her small Soviet kitchen has cream upper walls, muted pale-green lower wall paint, a cream enamel gas cooker at the left wall, a simple light-green cupboard, a small rectangular wooden table by a lace-curtained window, enamel pots, a warm ceiling bulb and worn brown linoleum. No modern appliances. Medium three-quarter waist-up shot, her recognizable face visible. She stands at the cooker holding one wooden spoon already inside an enamel saucepan, stirring supper. A plain plate of peeled potatoes on the nearby table. Warm window and tungsten light, light steam, warm domestic realism. Photorealistic frame from one coherent late-1970s Soviet colour feature film, provincial Russian town, autumn 1978. Restrained teal and amber, soft warm skin, slightly faded 35mm film, fine subtle grain, natural practical light, lived-in modest interiors, excellent detail. Vertical 9:16 single full-bleed frame. No writing anywhere, no readable lettering, no title, no subtitles, no overlay, no watermark, no frame or collage. No contemporary items or modern design. Natural anatomy, believable physical contact, emotionally understated acting.
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