Art style: Cinematic Realistic. ПОМОР. on the deck of a wooden koch sailing vessel — a 16th-century Russian Pomor seafarer, weathered and resolute. A broad-shouldered man in his forties, pale northern skin reddened by wind and frost, a thick dark-brown beard rimed with ice crystals, deep-set grey eyes squinting into the cold, heavy brows. He wears a long coarse wool kaftan over a linen rubakha, belted with a woven sash, a fur-lined sheepskin coat (tulup) with the hair turned inward, thick mittens, and a rounded fur-trimmed cap flecked with snow. Felt valenki wrapped in leather cover his feet, planted firmly on frost-slick planks. One hand grips a long steering oar, the other shields his eyes as he peers toward a freezing river winding through grey tundra under a low pewter sky, pack ice drifting around the hull. Calm, enduring, searching expression — a man chasing Mangazeya. Full-length shot, head to toe — the entire outfit and footwear must be visible. Character standing in a natural relaxed pose, front-facing, face clearly visible. This ONE character is the only subject in the frame — no other people, bystanders or extra characters present. Plain seamless studio background, even soft lighting. ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ FINAL STYLE ENFORCEMENT (this is the authoritative rendering directive — it overrides any style wording elsewhere in the prompt): Render this image entirely in "Cinematic Realistic" style. Match the lighting grammar, material response, colour science, level of realism / stylisation, line weight, and shading model typical of "Cinematic Realistic". Keep the subject, composition, camera angle, lighting direction, and colour palette from the description above — but EVERY surface, skin, fabric, material, and environmental element must be rendered in the "Cinematic Realistic" idiom, not in any other medium.
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