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Виталина Кулишева

@vitalina-kulisheva

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Камера полностью неподвижна. Статичный широкий кинематографичный кадр. Мальчик и девочка спокойно сидят друг напротив друга на полу балк...
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В какой-то момент ОДНА небольшая птица естественно влетает в кадр СЛЕВА и пролетает СЛЕВА НАПРАВО над головами мальчика и девочки, на без...
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В какой-то момент ОДНА небольшая птица естественно влетает в кадр СЛЕВА и пролетает СЛЕВА НАПРАВО над головами мальчика и девочки, на без...
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End frame for Kling v2.1 Pro video
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First frame: two teenagers are sitting quietly on the balcony floor during a warm summer evening. A light summer breeze moves naturally ...
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Камера полностью неподвижна. Статичный крупный план мужчины. Молодой мужчина спокойно курит сигарету и смотрит вдаль, не переводя взгляд...
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Камера полностью неподвижна. Статичный крупный план мужчины. Молодой мужчина спокойно курит сигарету и смотрит вдаль, не переводя взгляд...
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Камера полностью неподвижна. Статичный крупный план ног мужчины. Мужчина просто спокойно стоит на месте в домашних тапочках и носках. Он...
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Камера полностью неподвижна. Статичный крупный план ног мужчины. Мужчина просто спокойно стоит на месте в домашних тапочках и носках. Он...
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Молодой мужчина смотрит на девушку с лёгкой надеждой и тихо произносит: «Пока?» После этого он д...
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Молодой мужчина смотрит на девушку с лёгкой надеждой и тихо произносит: «Пока?» После этого он делает короткую паузу, продолжая смотреть...
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Topaz Upscaled Video (4.0x)
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Камера полностью неподвижна, статичный кадр. Молодой мужчина спокойно стоит в аэропорту и смотрит перед собой. Его движения очень естест...
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Камера полностью неподвижна, статичный кадр. Молодой мужчина спокойно стоит в аэропорту и смотрит перед собой. Его движения очень естест...
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Edit Reference Image 1. REFERENCE IMAGE 1 IS THE MASTER IMAGE AND MUST CONTROL THE ENTIRE SHOT. Preserve EVERYTHING from Reference Imag...
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Edit Reference Image 1. Keep EVERYTHING from Reference Image 1 exactly unchanged: the airport environment, background, composition, fram...
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Reference image 1
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Reference image 1
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Reference image 1
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Reference image 1
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Edit Reference Image 1. Keep EVERYTHING from Reference Image 1 exactly unchanged: the airport environment, background, composition, fram...
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Reference image 1
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Reference image 1
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The camera is completely locked-off and stationary. At the beginning, the sky between the two buildings is empty. After a brief moment,...
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The camera is completely locked-off and stationary. At the beginning, the sky between the two buildings is empty. After a brief moment,...
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птицы летают в небе движения естественные, камера неподвижна
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птицы летают в небе движения естественные, камера неподвижна
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End frame for Kling v2.1 Pro video
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Use the first image as the exact START FRAME and the second image as the exact END FRAME. The boy and girl are sitting quietly together ...
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Kling O3 V2V Video
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Kling O3 V2V Video
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Kling O3 V2V Video
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Kling O1 Asset - element_frontal
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Static camera. No camera movement, no zoom, no pan. Preserve the main seated woman exactly as in the original image: same identity, faci...
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Static camera. No camera movement, no zoom, no pan. Preserve the main seated woman exactly as in the original image: same identity, faci...
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девушка слева просто стоит и не двигается, пара спокойно целуется, камера неподвижна
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девушка слева просто стоит и не двигается, пара спокойно целуется, камера неподвижна
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Static camera. No camera movement, no zoom, no pan. Preserve the main seated woman exactly as in the original image: same identity, faci...
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Static camera. No camera movement, no zoom, no pan. Preserve the main seated woman exactly as in the original image: same identity, faci...
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Static camera, no camera movement, no zoom, no pan. The main woman remains seated calmly in exactly the same position. Preserve her faci...
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Static camera, no camera movement, no zoom, no pan. The main woman remains seated calmly in exactly the same position. Preserve her faci...
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Используй РЕФЕРЕНС 1 как строгую основу всего изображения. Сохрани из РЕФЕРЕНСА 1 БЕЗ ИЗМЕНЕНИЙ: — композицию и ракурс камеры; — положен...
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Reference image 1
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Reference image 1
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Extreme close-up of the woman’s lips. A man’s thumb gently enters the frame from the right side and carefully wipes the white milk foam f...
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Extreme close-up of the woman’s lips. A man’s thumb gently enters the frame from the right side and carefully wipes the white milk foam f...
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A man’s RIGHT THUMB enters the frame from the right side and gently wipes the milk foam from the woman’s upper lip in one continuous, smo...
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End frame for Kling v2.1 Pro video
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A man’s RIGHT THUMB enters the frame from the right side and gently wipes the milk foam from the woman’s upper lip in one continuous, smo...
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Extreme close-up of the woman’s lips. A man’s thumb gently enters the frame from the right side and carefully wipes the white milk foam f...
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Extreme close-up of the woman’s lips. A man’s thumb gently enters the frame from the right side and carefully wipes the white milk foam f...
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The man listens carefully and attentively to the woman while she is speaking. He keeps his eyes focused on her face, showing genuine inte...
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The man listens carefully and attentively to the woman while she is speaking. He keeps his eyes focused on her face, showing genuine inte...
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The man looks directly at the woman with a soft, sweet, slightly shy smile. His smile is subtle and gentle, not wide or exaggerated. He ...
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The man looks directly at the woman with a soft, sweet, slightly shy smile. His smile is subtle and gentle, not wide or exaggerated. He ...
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The man looks at the woman and gives her a soft, slightly shy smile, subtle and warm, not wide or exaggerated. He slowly and gently raise...
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The man looks at the woman and gives her a soft, slightly shy smile, subtle and warm, not wide or exaggerated. He slowly and gently raise...
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The man turns to his right, rotating over his right shoulder, then walks toward the left side of the frame, parallel to the camera plane....
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The man turns to his right, rotating over his right shoulder, then walks toward the left side of the frame, parallel to the camera plane....
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The man turns to his right, rotating over his right shoulder, then walks away toward the left side of the frame. He continues walking nat...